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In science fiction, female-appearing robots are often produced for use as domestic servants and sexual slaves, as seen in the film Westworld, Paul J.
Gynoids appear widely in science fiction film and art.Among the few non-eroticized fictional gynoids include Rosie the Robot Maid from The Jetsons.However, she still has some stereotypically feminine qualities, such as a matronly shape and a predisposition to cry.In the film The Perfect Women, the titular robot, Olga, is described as having "no sex", but Steve Chibnall writes in his essay "Alien Women" in British Science Fiction Cinema that it is clear from her fetishistic underwear that she is produced as a toy for men, with an "implicit fantasy of a fully compliant sex machine".In the film Westworld, female robots actually engaged in intercourse with human men as part of the make-believe vacation world human customers paid to attend. Sexual interest in gynoids and fembots has been attributed to fetishisation of technology, and compared to sadomasochism in that it reorganizes the social risk of sex.
The first gynoid in film, the maschinenmensch ("machine-human"), also called "Parody", "Futura", "Robotrix", or the "Maria impersonator", in Fritz Lang's Metropolis is also an example: a femininely shaped robot is given skin so that she is not known to be a robot and successfully impersonates the imprisoned Maria and works convincingly as an exotic dancer.